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3D positioning illustrated
Wwise 도움말
Spread and relative emitter-listener rotation is identical, regardless of the configuration types.You can pan sources with standard configuration into ambisonic busses ("encode to ambisonics"), and vice-versa ("decode from ambisonics").ExamplesThe examples in the following pages illustrate various facets of the algorithm presented above: Effect of Spread Effect of orientation ...
Focus
Wwise 도움말
Focus, input channels always contribute to at least 2 output channels unless they are perfectly aligned.This issue does not apply with ambisonics panning, which, by design, already leaks across output channels, albeit uniformly. Therefore, Focus is ignored when the channel configuration of the source is ambisonics. Effective Panning of an Emitter Located 45 Degrees from the Listener's ...
Effect of Height Spread
Wwise 도움말
This is because ambisonics is a speaker-agnostic format, and the headphone or speaker setup on which it will be later decoded is unknown at the time of panning. If that setup turned out to be a planar speaker configuration, it would not benefit from Height Spread. However, ambisonics is a representation that is intrinsically smooth, and this smoothness should suffice to mitigate the artifacts that ...
Note For context, reference the first example. When panning on a 3D channel configuration, meaning a configuration (such as 7.1.4 or ambisonics) that can represent sound coming from above and/or below, the virtual sources are disposed in the shape of spherical caps. The following figures show stereo and 4.0 sources with various Spread and Focus.Recall that 3D positioning only takes up to 7 input ...
Environments
Wwise 도움말
Many of the same considerations discussed in Cinematic VR apply to Auxiliary Busses used for environmental Effects. The RoomVerb and AK Convolution Reverb Effects support ambisonics natively, however Matrix Reverb does not. You can use them on a stereo, 4.0, or greater bus, whether you want to use the front-back delays or not, and route them to ambisonic busses. Their output will be encoded to ambisonics ...
Soundseed Grain tips
Wwise 도움말
Although it is also very relevant to output, say, first order ambisonics, and mix it into a third order ambisonics bus.Set the Positioning mode to 3D Spatialization.Use random modulation with Azimuth and/or Elevation.You may use Spread to your liking (to fill the space for example). Make sure Spread is greater than 0 if your material is multichannel, otherwise each grain is treated as a point source ...
The Ambience Detailed Rain collection is arranged in subprojects that include a variety of flexible rain sounds in a broad range of environments and intensities. The sounds are customized using multiple control tracks. The Rain Background subproject is mixed using higher-order ambisonics with assets recorded in Octo3d 8-channel format. They are set up to render in a variety of common multichannel ...
Ambience Doom offers a range of tones that articulate darkness, danger, and despair. The Drone subprojects are especially useful for establishing foreboding in any natural or urban ambience.The subprojects are mixed using higher order ambisonics with assets recorded in ORTF-3D. They are set up to render in a variety of common multichannel formats to suit your requirements, ranging from binaural to ...
They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above or below the height of the ...
They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above or below the height of the ...
The other half of the collection features immersive ambiences of boiling and flowing water masses and waterfalls, as well as a flexible range of bubbles, drips, splashes, steam, and waves of varying size, intensity, and proximity.The subprojects are mixed using higher order ambisonics with assets recorded in 1st order AmbiX and stereo formats. They are set up to render in a variety of ...
They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above or below the height of the ...
Ambience Sci-Fi offers a range of environments found in space-themed science fiction worlds, from nebula to portals, planets, ships, interiors and exteriors. The subprojects are set up to allow rapid variation of perspective and intensity, from the subtle drone of distant nebula to faster-than-light warp drive tearing through spacetime. The subprojects are mixed using higher order ambisonics with ...
They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has similar characteristics to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above or below the height of the ...
These are a combination of one-shot and seamless loops, with multiple variations and layers to add randomized background color or foreground color.The subprojects are mixed using higher order ambisonics with assets recorded in stereo formats. They are set up to render in a variety of common multichannel formats to suit your requirements, ranging from binaural to 7.0.4, as well as multiple orders of ...
They have items with mono or stereo source files, these are not mixed using ambisonics.Details Layer 2Depending on the ambience, there might be a Details Layer that has similar characteristics to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above or below the height of the listener’s ...
Ambience Warfare provides multichannel ambience bed tracks for battles of various eras: modern, medieval, historical, and sci-fi. The tracks feature weapons, other ordnances, and vehicles of each era.The ambient bed subprojects are mixed using higher order ambisonics with assets recorded in 1st order AmbiX. They are set up to render in a variety of common multichannel formats to suit your requirements ...
They have items with mono or stereo source files, which are not mixed using ambisonics.All Basic Layer tracks use yellow custom colors, alternating between light and dark shades.Details Layer 2Depending on the ambience, there might be a Details Layer with dynamic elements of battles, like explosions or swords. The item source files for these are AmbiX recordings. Depending on the type of ambience ...
Submersion Collection Guide
Strata 도움말
The Submersion collection is arranged in subprojects that cover an expensive range of highly flexible sounds in a broad range of environments. The objects making those sounds are easily customized using multiple control tracks. The Underwater Ambience subproject is mixed using higher-order ambisonics. This subproject is set up to render in a variety of common multichannel formats, ranging from binaural ...
WG-69387 Added Ambisonics 4th and 5th order to the list of channel configurations in AK ASIO plug-in. Bug Fixes WG-63963 Fixed: Timing values reported in the CPU tab of the Advanced Profiler are incorrect by a large factor in some scenarios. WG-67683 Fixed: Possible infinite hang in AK::JobMgr::WorkUntilDone when running the sound engine in multi-core execution. WG-67849 Fixed: In the Conversion ...