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その他のドキュメント
- Strata
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- Audiokinetic Launcher
- Wwise Audio Lab
- Wwise Adventure Game
- GME In-Game Voice Chat
技能検定コース
- Wwise-101 (2021.1)
- Wwise-201 (2021.1)
- Wwise-251 (2023.1)
- Wwise-301 (2023.1)
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I've seen on the "Using Ambisonics" help page that in order to get HOA output you need to code a custom plugin. Is this still the case? With ambisonic aux busses and the channel router plugin, is it possible to route to an ambisonic system? Otherwise, does anyone know of any 3rd party plugins that allow HOA output? Thanks all for your help.
/qa/3993/oblem-with- -file-been-converted-to-mono/
Hi! I have some questions and I cannot find the answers on the internet nor the manual, so I decided to write here for some help. For our project, we need to play 2 ambisonic files (not at the same time. They are 1st order ambisonics. I've tryed AmbiX and FuMa). I followed all the instructions and also tried to copy all the parameters of the ambisonic section of the SampleProject session, but I ...
I'm a noobie when it comes to Wwise and I tried to do some research without much success. I'm wondering if I bought a pair of 7.1 Headphones, would they function while working in Wwise? Would I have to use a plugin to make them work, is it a signal output and busing thing, or will they not work as a pseudo 7.1 solution? I was debating buying a pair of Arctis 5, 7.1 Headphones to use while working ...
In System Audio Device - If Main Mix Configuration for Binauralization is set to any Ambisonics format, then Mastering Suite doesn't process anything, neither MainMix, AudioObjects, or Passthrough Mix. Is that a known limitation? It seems like a bug. I'm currently on Wwise 2022.1.8.
Hi, is it possible to use Wwise in Unity to read a B-format AmbiX Ambisonics .wav file (ideally 4th order, i.e. 25 channels) and decode it directly to a e.g. an irregular 30 loudspeaker set-up, i.e. playing each decoded channel directly on a multichannel ASIO device instead of rendering it to binaural headphone reproduction or any of the predefined LS set-ups?
Hi, I am wanting to find out if WWise supports the ambisonic B-format? Wwise supports ambisonics format starting from version 2016.1.
Google Resonance: Ambisonic sound doesn't rotate properly - sounds like headlocked stereo in game
Q&A
I'm trying to get google resonance working through Wwise with Unity. I have an ambisonic file that is routed through the resonance plugin, but while listening in Unity, there's no rotation when the camera turns. It just sounds like a regular 2D sound. Wondering what I could be missing here edit: I should also add that Wwise seems to be handling Ambisonic files strangely as well; I'm using an AmbiX ...
Hey, I'm doing some tests with Ambisonic Ambiences in Wwise and have them successfully playing back in the Game and react to the Players rotation if they are set to 3D and play on another Game Object. Is it also possible to play them directly on the player and just take the listener angle and elevation of the player into account, or do they always need to be placed on another object to track the player ...
Hi, When I try to open it on a Ambisonics bus I get a message on the meter view saying: "3D meter unsupported: unable to initialize shaders". Has anyone come across the same issue? Thanks, Fab
Hi, I'm working with trying to bring ambisonics into my workflow. I have files I have recorded with my Ambeo and I've followed the Ambisonic pipelines documentation as well as Resonance Audio documentation. Here's my issue. I import my B Format file FuMa or Ambix. Make sure in the sound editor the file is set according to which format(ambix, FuMa). Set up the bus structure of Ambisonic bus 3-3 feeding ...
Hi, I am testing and learning Wwise and how to use it for 3D audio and simulated IR for certain rooms. I created secondary buses from the master, one for Binauralizer (Auro Headphone plugin with excluded reverb), its child Ambisonics (Ambisonics 3-3) and further down the tree an auxiliary bus where the convolution reverb is used. Opening the conv reverb I can upload the B Format IR and set it to exclude ...
Hi guys, We have a VR content distribution App and we need to stream videos with ambisonics using https urls in Unity for many platforms. Does audiokinetic support this? (or at least have a synch option while streaming both the video file and audio file)
audio only if I tell the bus to output in 4.0. My question therefore is: when the game will be exported, will the audio be in ambisonics/4.0? Or will it be in stereo because ultimately my Master Bus is stereo (bus is defined by the device with no way to change it). Thank you! Eugenia
sounds routed to an Audio Bus and change the Bus Configurations (Main Mix, Passthrough, Audio Objects, Channel Configurations, Ambisonics) and notice bus icon and metering changes.Bonus: Can you reach the maximum System Audio Objects used? (as displayed in the the Audio Device Editor)Switch to the Audio Object Profiler LayoutAudition sounds and see if you can visualize them in the Audio Object 3D ...
Google Resonance SDK is used by applying Ambisonics 3rd order to audio channels that require 3d audio settings. However, when Ambisonics 4th Order is applied to this audio channel, the following error log appears. LogAkAudio: Error: [18446744073709551615] Plug-in unsupported channel configuration: 6557955 How can we solve this problem? Google Resonance is limited to Ambisonics 3rd order, therefore ...
the sound in the Attenuation Editor. The Main mix meters should reflect the volume and position of the sound, including an Ambisonics mix. The user should HEAR the sound changing in real time, according to the curves set for the sound in the Attenuation Editor. In addition to hearing the volume, filters, spread, and focus changing, the user should hear the selected PREVIEW reverb changing as well.
resulted in either a static ambient sound or a spatialized mono sound when played in the unreal editor. Is it possible to have ambisonics work as sound fields in UE4 or is this not supported? Have you set the positioning to User-Defined and unchecked Follow Listener Orientation? It should make it so that the sound field's origin is the listener, but will keep its orientation relative to the world ...