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Effect of Height Spread
Wwiseヘルプ
that configuration is planar.In the case of ambisonic configurations, Height Spread is not applied either. This is because ambisonics is a speaker-agnostic format, and the headphone or speaker setup on which it will be later decoded is unknown at the time of panning. If that setup turned out to be a planar speaker configuration, it would not benefit from Height Spread. However, ambisonics is a representation ...
Panning on a 3D configuration
Wwiseヘルプ
Note For context, reference the first example. When panning on a 3D channel configuration, meaning a configuration (such as 7.1.4 or ambisonics) that can represent sound coming from above and/or below, the virtual sources are disposed in the shape of spherical caps. The following figures show stereo and 4.0 sources with various Spread and Focus.Recall that 3D positioning only takes up to 7 input ...
Environments
Wwiseヘルプ
Many of the same considerations discussed in Cinematic VR apply to Auxiliary Busses used for environmental Effects. The RoomVerb and AK Convolution Reverb Effects support ambisonics natively, however Matrix Reverb does not. You can use them on a stereo, 4.0, or greater bus, whether you want to use the front-back delays or not, and route them to ambisonic busses. Their output will be encoded to ambisonics ...
Soundseed Grain tips
Wwiseヘルプ
best results it should be the same as that of the output bus. Although it is also very relevant to output, say, first order ambisonics, and mix it into a third order ambisonics bus.Set the Positioning mode to 3D Spatialization.Use random modulation with Azimuth and/or Elevation.You may use Spread to your liking (to fill the space for example). Make sure Spread is greater than 0 if your material is ...
Ambience Detailed Rain Collection Guide
Strataヘルプ
The Ambience Detailed Rain collection is arranged in subprojects that include a variety of flexible rain sounds in a broad range of environments and intensities. The sounds are customized using multiple control tracks. The Rain Background subproject is mixed using higher-order ambisonics with assets recorded in Octo3d 8-channel format. They are set up to render in a variety of common multichannel ...
Ambience Doom Collection Guide
Strataヘルプ
Ambience Doom offers a range of tones that articulate darkness, danger, and despair. The Drone subprojects are especially useful for establishing foreboding in any natural or urban ambience.The subprojects are mixed using higher order ambisonics with assets recorded in ORTF-3D. They are set up to render in a variety of common multichannel formats to suit your requirements, ranging from binaural to ...
subprojects also have Basic Layer tracks. They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions ...
subprojects also have Basic Layer tracks. They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions ...
Ambience Fire and Water Collection Guide
Strataヘルプ
drips, splashes, steam, and waves of varying size, intensity, and proximity.The subprojects are mixed using higher order ambisonics with assets recorded in 1st order AmbiX and stereo formats. They are set up to render in a variety of common multichannel formats to suit your requirements, ranging from binaural to 7.0.4, as well as multiple orders of ambisonics in AmbiX, allowing 360 ...
subprojects also have Basic Layer tracks. They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has characteristics similar to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions ...
Ambience Sci-Fi Collection Guide
Strataヘルプ
Ambience Sci-Fi offers a range of environments found in space-themed science fiction worlds, from nebula to portals, planets, ships, interiors and exteriors. The subprojects are set up to allow rapid variation of perspective and intensity, from the subtle drone of distant nebula to faster-than-light warp drive tearing through spacetime. The subprojects are mixed using higher order ambisonics with ...
subprojects also have Basic Layer tracks. They have items with mono or stereo source files, which are not mixed using ambisonics. Details Layer 2Depending on the ambience, there might be a Details Layer that has similar characteristics to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions ...
Ambience Space Station Collection Guide
Strataヘルプ
variations and layers to add randomized background color or foreground color.The subprojects are mixed using higher order ambisonics with assets recorded in stereo formats. They are set up to render in a variety of common multichannel formats to suit your requirements, ranging from binaural to 7.0.4, as well as multiple orders of ambisonics in AmbiX, allowing 360 degrees of listening immersion.The ...
subprojects also have Basic Layer tracks. They have items with mono or stereo source files, these are not mixed using ambisonics.Details Layer 2Depending on the ambience, there might be a Details Layer that has similar characteristics to the Basic Layer. The item source files for these are Octo 3D ORTF recordings split into four-channel files that represent positions above ...
Ambience Warfare Collection Guide
Strataヘルプ
Ambience Warfare provides multichannel ambience bed tracks for battles of various eras: modern, medieval, historical, and sci-fi. The tracks feature weapons, other ordnances, and vehicles of each era.The ambient bed subprojects are mixed using higher order ambisonics with assets recorded in 1st order AmbiX. They are set up to render in a variety of common multichannel formats to suit your requirements ...
Objects subprojects also have Basic Layer tracks. They have items with mono or stereo source files, which are not mixed using ambisonics.All Basic Layer tracks use yellow custom colors, alternating between light and dark shades.Details Layer 2Depending on the ambience, there might be a Details Layer with dynamic elements of battles, like explosions or swords. The item source files for these are AmbiX ...
Submersion Collection Guide
Strataヘルプ
The Submersion collection is arranged in subprojects that cover an expensive range of highly flexible sounds in a broad range of environments. The objects making those sounds are easily customized using multiple control tracks. The Underwater Ambience subproject is mixed using higher-order ambisonics. This subproject is set up to render in a variety of common multichannel formats, ranging from binaural ...
Oriented Reverb
Wwise Audio Lab
Description: Late reverb playing from a 3D bus keeps its orientation with regard to the Room, which makes for a convincing sense of presence. This example showcases the AK Convolution Reverb plug-in using a first order ambisonics IR that purposely steers the energy in one direction. Note: The IR has been exaggerated to make the oriented reverberation effect more obvious.
Authoring Audio Objects
Wwiseヘルプ
intermediate representation of sounds and their positions rendered in a channel-based format (for example, 5.1, 7.1, 7.1.4, or ambisonics). This produces a mix suitable for virtualization (that is, virtual positioning according to ideal speaker positions) and binauralization.In the Audio tab of the Project Explorer, right-click the Master Audio Bus and select New Child > Audio Bus. Type the desired ...
speaker panning, understanding 3D spatialized objects, spread, focus and orientation,applying positioning to busses, and using ambisonics.Managing priority—understanding and defining playback priority, limiting playback instances, and managing low-volume objects.Managing Effects—applying Effects to objects and busses, working with Effect ShareSets, bypassing, rendering, and reordering Effects, and ...