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Inclusion

Determines whether the element is included or excluded. When selected, the element is included. When unselected, the element is not included. By default, this applies across all platforms. Use the Link indicator (to the left of the check box) to determine or to set platform-specific customizations.

When this option is unselected, the property and behavior options in the Property Editor become unavailable.

Name

The name of the Effect instance.

Effect instances are a group of effect property settings. They can be one of two types: custom instances or ShareSets. Custom instances can be used by only one object, whereas ShareSets can be shared across several objects.

Effect

The type of effect.

Shared by (Used by)

A list of objects that currently subscribe to the selected ShareSet.

This field is called “Used by” when editing a custom instance of the Effect.

Opens a search field where standard alphanumeric entries filter out unmatching elements from the view. Learn more in Using Tables.

Click the Close icon to the left of the search icon to close the search field and remove the filter.

	Note
	The searches do not include elements in collapsed nodes of the List View, Query Editor, MIDI Keymap Editor, and Reference View.

Returns the Effect property settings to their default values.

This option is only available when editing a custom instance of the Effect.

Notes

Additional information about the Effect.

Effect Settings

Early Reflections

Early reflections

Specifies whether the early reflections component of the signal will be computed and processed.

ER pattern

A pattern containing pre-determined early reflection arrival times (in ms) and gains (linear) that are characteristic of a particular acoustical space.

Room size

Determines the time scaling applied to the ER pattern.

A value of zero means there is no time scaling of the ER pattern selected, a value of 100 yields a doubling of the time taken before receiving each early reflection, and a value of -100 halves the time taken by the ER pattern chosen. Note that the time of the first early reflection is a good perceptual cue of the size of the acoustical space modeled.

Default value: 0
Range: -100 to 100

Rear delay

Time delay between the early reflections fed to the front and rear channels.

Default value: 0
Range: 0 to 100
Units: Milliseconds

When using non-zero rear delay values with surround signals in conjunction with matrix encoding systems, such as Dolby Pro Logic 2, some artifacts may be heard (usually as comb filtering).

Reverb

Pre delay

Specifies the time between the direct sound and the start of the dense reverb tail.

Default value: 25
Slider Range: 0 to 200
Input Range: 0 to 1,000
Units: Milliseconds

Decay time

The time it takes for the low frequencies of the sound to fall by 60 dB from its original amplitude.

Default value: 1.2
Range: 0.2 to 10
Units: Seconds

HF damping

A roll-off factor used to control the reverberation time for high frequencies relative to low frequencies.

Default value: 2.25
Range: 0.5 to 10

When the value of this ratio is less than 1, the high frequency reverberation time becomes longer than that for lower frequencies.

Density

Directly modifies the perceived modal density. Lower values often result in a certain amount of ringing while higher settings sound flatter in frequency with a noisy reverb tail.

This property is directly proportional to the amount of memory used by the plug-in because higher modal density is achieved using longer delay lines. These longer delay lines are analogous to larger spaces so this property can sometimes be used to control the perceived room size. This property works closely with the 'Room shape' and 'Quality' properties.

Default value: 80
Range: 0 to 100
Units: Percent

Room shape

Determines the perceived coloration of the reverb by controlling (along with the Density property) the delay lengths used by the algorithm while maintaining a constant modal density. In general, a high room shape setting will mean less divergence between the longest and shortest delay lengths. This could be analogous to a regularly shaped room, a cube for instance. At lower room shape settings, the divergence between delay lines is larger.

Default value: 100
Range: 0 to 100
Units: Percent

It is recommended that you experiment with different Room shape settings for each Density value.

Quality

Determines the number of reverberation units used by the algorithm. A higher Quality value can help change the audio quality of the reverberation significantly but will result in a proportional increase in CPU usage.

If you increase Quality, you may want to reduce the Density and the reverse is also true. Lower Quality values, such as 2, often do not provide the necessary echo density for realistic reverberation. Higher Quality values may produce the effect of more reflective rooms.

Default value: 8
Range: 2 to 16

Diffusion

Directly controls the echo density characteristic of the reverb. A lower Diffusion value will sometimes result in a shrilling sound where each echo can be distinctively perceived. Higher Diffusion values give a denser reverberation tail. Higher diffusion also means that transient signals are blurred in time with their energy spread over some interval of time. the effect of this property will be noticeable mostly on materials with sharp transients, for example, snare drum hits.

Default value: 100
Range: 0 to 100
Units: Percent

Stereo width

Determines the similarity between the ER + reverb content that is output in the left channels (front and/or rear) and right channels (front and/or rear). This can create a stronger sense of space, by enlarging the stereo spread of the early reflections and the reverberation.

When a value of zero is used, the ER + reverb output to the left and right channels is the same. As a result, some memory and CPU optimization can be obtained. A value of 180 means that an entirely different ER + reverb signal is fed to each side. This effect is stronger when monitored over headphones due to the absence of cross-talk between speaker signals which diminishes the Effect.

Default value: 180
Range: 0 to 180
Units: Degrees

This property has no effect on 1.0 (mono) or 1.1 channel sounds.

Tone

Tone

Specifies whether shelving and peaking filters can be applied to the various components of the reverberated signal. When selected, you can apply up to three different filters. Each filter can also be inserted at various points in the signal chain.

Insert

Determines the point in the signal chain at which filters are applied. The following insertion points are available:

When the Early reflections option is not selected, the ER component will always be ignored no matter which insertion point is selected.

Curve

Determines the type of filtering that can be applied to the signal. The following filters are available:

Gain

The amount by which the audio signal is amplified for the selected frequency band. Increasing this value boosts the audio signal. Decreasing this value cuts or attenuates the audio signal.

Default value: 0
Range: -24 to 24
Units: dB

Frequency

The portion of the frequency spectrum that will be affected by the gain.

Default value: 100 (Filter band 1), 1,000 (Filter band 2), 10,000 (Filter band 3)
Range: 20 to 18,000
Units: Hz

Q

The area around the center frequency that will be affected by the change in gain. A low Q value means that the bandwidth range will be wide, and conversely, a high Q value means that the bandwidth range will be narrow.

Default value: 1
Range: 0.1 to 10

The Q property is only available when the Curve property is set to Peaking.

Input Levels

Center

Determines the amount of the Center channel that will contribute to feed the reverberation algorithm.

Default value: 0
Range: -96 to 0
Units: dB

LFE

Determines the amount of the LFE channel that will contribute to feed the reverberation algorithm.

Default value: -96
Range: -96 to 0
Units: dB

Reverb Levels

Front

Controls the amount of late reverberation applied to the front left and right channels. This property control does not affect the center channel, which can be controlled explicitly.

This property has no effect in channel configurations where rear channels are not present. In these cases, controlling the wet level (ER + Reverb) is more intuitive.

Default value: 0
Range: -96 to 0
Units: dB

Rear

Controls the amount of late reverberation applied to the rear left and right channels.

This property has no effect in channel configurations where rear channels are not present. In these cases, controlling the wet level (ER + Reverb) is more intuitive.

Default value: 0
Range: -96 to 0
Units: dB

Center

Controls the amount of late reverberation applied to the center channel, when present.

Default value: 0
Range: -96 to 0
Units: dB

LFE

Controls the amount of late reverberation applied to the LFE channel, when present.

Default value: -96
Range: -96 to 0
Units: dB

Output Levels

Dry

Determines the gain factor that is applied to the direct path sound.

Default value: -96
Range: -96 to 0
Units: dB

	Note
	This property has no effect when the reverb is used in an Auxiliary Bus. In this case, the dry signal is defined by the object sending to the Auxiliary Bus.

ER

Determines the gain factor that is applied to the early reflection signal.

Default value: -20
Range: -96 to 0
Units: dB

This control has no effect when the Early reflections check box is not selected.

Reverb

Determines the gain factor that is applied to the reverberated signal (reverb tail).

Default value: -20
Range: -96 to 0
Units: dB

Estimated memory usage

The estimated amount of memory, in KB, used to generate the Effect. This estimate assumes a surround configuration. If the rear left and rear right channels are not present, the memory used will be slightly lower than the amount displayed.

For the Windows platform, this value assumes that the sound quality (AkSoundQuality) is set to High (48 kHz sampling rate). If the sound quality is set to Low (24 kHz sample rate), then the estimated amount of memory will typically be half of the value displayed.